Ten years behind the camera for national television, now turned toward the one day you'll want to relive for the rest of your life.
Formerly on crews for BBC, Channel 4, ITV, Netflix, and Discovery — the same craft, pointed at something more personal.
I spent the last ten years as a camera operator, drone pilot, and director on broadcast crews — the kind of work where every frame is planned, every light considered, and there's no second take. I bring that same discipline to weddings: steady hands during the vows, a drone pass over the marquee at golden hour, and an edit paced like something made for television, not a home video. You'll get the ceremony as it happened, and a film you'd be proud to see broadcast.
A 4–6 minute cinematic edit capturing the whole day's emotion, set to music, ready to share the week after.
Getting ready through last dance, cut as a feature-length film with full speeches and vows included.
Drone coverage of the venue, grounds, and guest arrival — the establishing shots a broadcast crew would never skip.
A lighter package for small ceremonies and elopements, one camera operator, all-day availability.
Every wedding gets a proper call sheet — planned like a television shoot day, so nothing important is missed.
Detail shots, both sides, natural light prioritised.
Fixed wide plus a roaming lens for reactions; radio mic on the groom.
Full audio capture, candid coverage of guests.
Couple portraits and a drone pass over the venue while the light lasts.
Low-light coverage through the first dance, then candid dancefloor.
"It felt like having a television crew there, but somehow completely invisible. We forgot he was filming."
Emily, married in Somerset
"The drone shot of the marquee at sunset still makes my mum cry. Worth every penny."
Isla, married in Devon
"Paced like a proper film, not a wedding video. We've watched it more times than we'll admit."
Priya, married in the Cotswolds
Tell me your date and venue and I'll get back to you within a couple of days with availability and pricing.